spacer.png, 0 kB

Marketplace Table of Content

Category# Ads


Ads in Marketplace:(0)
 
spacer.png, 0 kB
The art and craft
Can you Learn to Write a Screenplay? PDF Print E-mail
Digg!
Writing stands in the umbral of being a gift more than a craft, at least in Europe.

This is partly due to the history of literacy that rested for many centuries within highbrow elites. Correspondingly, most universities in Europe were not used to provide writing classes, at least not to such an extent like in the USA, where one can even gain a degree by writing a novel.
No comments for this item
Read more...
 
Using Visual Stereotypes: Where do You Want to Go? PDF Print E-mail
Digg!
If one is to understand the difference between Dr. Strangelove and Fight Club, he is best to begin with the difference between apples and pears.

Pears are green and sometimes red, just like apples. The difference lies in their forms, only. In this case, the colour has nothing to do with the sense of the ‘thing’. This is not so in the case of a ceramic glass cook top. Even a child is well advised not to touch it when it is red instead of brown or grey. As follows, in some situations the colour red can be a discriminative signal, in others not.
No comments for this item
Read more...
 
How to Create Characters by Their Actions PDF Print E-mail
Digg!
One of the differences between a novel and a screenplay is that the latter is a guide to the making of a film. Films, therefore, are not only acoustically accompanied moving pictures like everyday happenings but also, and even primarily, a synthesis of verbally interpreted pieces of reality. As follows, the main ingredients of a script are descriptions of actions, including one particular type of action: dialogues.
No comments for this item
Read more...
 
Scenes and Sequences PDF Print E-mail
Digg!
From a structuralist point of view, scenes and sequences are the basic elements of each screenplay. Scenes have two determinant components, time and place. Sequences interconnect the scenes by using an idea like wedding, party, or murder. But every scene, every sequence, and even every act and screenplay have their own structure of, let us say, three or five acts. That makes the whole story a bit more complicated.
No comments for this item
Read more...
 
Idea, Conception, and Writing PDF Print E-mail
Digg!
There are a hundred and a million out there who have good ideas. But, nevertheless, only a handful of them makes it to a successful screenplay. What is the reason?
No comments for this item
Read more...
 
Developing Characters in Short Screenplays PDF Print E-mail
Digg!
90 minutes is nothing compared to a whole lifetime of about 75 years. Films are capable of portraying a whole lifespan in the given time frame though. That is possible only if the film can be elliptical, lacking sequences, so to speak. And the audience must be able to reconstruct the missing parts. In shorts of about five minutes, the audience comes even more into play.
No comments for this item
Read more...
 
Camera and Script: Struggle of Competences PDF Print E-mail
Digg!
A feature screenplay serves the whole crew and averagely consists of 120 pages. It follows that there is neither a common ground nor space for camera advices.
No comments for this item
Read more...
 
Three Ways to Write a Screenplay PDF Print E-mail
Digg!
The page is empty. Where to start?

Three ways to stimulate and direct the ideas for screenwriting:
No comments for this item
Read more...
 
Approaches to Structuring a Screenplay PDF Print E-mail
Digg!
Some screenwriters don’t follow any structures and concepts. Others, mostly successfully, do. This can lead to the conclusion that there are two types of structuring a script: with structure and without it.
No comments for this item
Read more...
 
The Eye Substitutes Verbal Thinking PDF Print E-mail
Digg!
Language is the main means to codify human reality. It dominates in law, in reports, and even in the weather forecast on television. Images very often serve the only purpose of illustration, although films prove that they indeed are capable of communicating conceptual meanings.

Films are based on screenplays and, therefore, have a verbally codified conceptual background. Of course, most films need dialogues. But no film can live without any visual representation as a frame for action and dialogues. And some films do not contain any words.
No comments for this item
Read more...
 
Verbalize Visuality and Visualize the Verbal PDF Print E-mail
Digg!
We live in a world full of codes. Not only books and magazines but also traffic signs or lights guide our understanding of the world. Adding digital images and tables or television and films, your orientation within this codified world easily gets lost.

Media philosopher Vilém Flusser throws a little light on our darkness. He starts with the assumption that all humans are freed from the natural world order and, therefore, have to create their own world by codes.
No comments for this item
Read more...
 
spacer.png, 0 kB
spacer.png, 0 kB
    Copyright 2007 - Shortmoviescripts.com